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Table of contents for The Record Contract
- The Record Contract; Part I: The Audition
- The Record Contract; Part II: The Callback
- The Record Contract; Part III: The Phone Call
- The Record Contract; Part IV: The Gathering
- The Record Contract; Part V: Getting To Know You
- The Record Contract; Part VI: Growing Closer
- The Record Contract; Part VII: Trouble in Paradise
- The Record Contract; Part VIII: Pressure Rising
- The Record Contract; Part IX: Decisions, Decisions
- The Record Contract; Part XI: Meanwhile
- The Record Contract; Part XII: The Studio
- The Record Contract; Part XIII: The Contract
- The Record Contract; Part XIV: Bonding
- The Record Contract; Part XV: A Response
- The Record Contract; Part XVI: Toni’s Party
- The Record Contract; Part XVII: Waiting Game
- The Record Contract; Part XVIII: The Hammer Falls
- The Record Contract; Part XIX: A Realization
- The Record Contract; Part XX: A Pinch of Insult
I was spending more and more time with Hoss, writing music, hitting the clubs, and being introduced to some of the country music industry’s biggest names.
One of my favorite persons I met during this time period was a woman by the name of Toni Wine. When I first met Toni, her name was not familiar to me, and I had no idea who she was. I just knew that she was wickedly funny, kind, and was genuinely interested in my situation with Atlantic Records. She dispensed a lot of valuable advice and wisdom.
I first began to realize that she was someone that I should have known by name while attending the movie “Jerry Maguire.”
You may remember the scene from the movie in which Chad, the Nanny, holds up a Miles Davis cd and declares it to be the best recording in history. Toni leaned over and whispered to me, “My ex-husband played on that record.”
After the movie, we headed back to Hoss’ house for margaritas and I asked Toni exactly where in the music food chain she fit in. I was not exactly prepared for her response.
She laughed and said, “You’re pretty young. The only thing you probably know about is this: Meow Meow Meow Meow…” she sang the Meow Mix commercial jingle. I laughed and said, “Are you serious?”
Hoss interjected, “Yes that was her. But Toni, you might be surprised what Paul knows. He knows more old music than I do.”
Toni said, “Ok, do you know the song Black Pearl?” I said, “Which version, Horace Mann?” Toni’s eyes grew a bit wide, obviously surprised that I knew the song, “It doesn’t matter which version. I wrote it.”
“Cool!” I said.
Hoss jumped in again, “Toni, tell him.”
“Oh, all right. Paul, have you ever heard of Tony Orlando and Dawn?”
“Of course,” I responded.
“Ok, I was one of ‘Dawn.’ How about the Archies?”
“Definitely,” and then I started singing ‘Sugar Sugar.’
Toni broke into song, too… doing an exact take of the line “I’m gonna make your life so sweet…” and she said “I was the voice of Betty AND Veronica.”
I was stunned into silence, as of course I had known that song my entire life, and you know that line is the HIGHLIGHT of the entire song.
Hoss started laughing and said, “She’s also leaving out that she’s the most successful songwriter in BMI history. You know the group The Mindbenders from the 60’s?”
“Yeah,” I said. “They did that song ‘Groovy Kind of Love.’”
Hoss said, “Yeah. Toni sang on that record, and she wrote that song with Carole Sager. You can also hear her singing with Willie Nelson on ‘Always on My Mind.’ ”
I totally geeked out in my head for a while, I couldn’t even look at Toni for a few minutes. When I finally managed to say something, it was something feeble along the lines of “My parents are going to shit when they hear about this.”
A few weeks later, I was invited to Toni’s birthday party. I can’t even tell you who was in attendance, because I was a bit overwhelmed by the sea of recognizable faces. I was used to meeting celebrities by now, but that had always been in a one-on-one situation. A room full of people that I had sang along with, or watched in films and videos was out of my comfort zone. I stuck pretty closely to Devon O’Day, Hoss and Mama Sharon.
Near the end of the party, the crowd insisted that Toni sing some of her songs. There was a keyboard set up and several microphones at the end of the room. Toni took her place behind the keyboard and asked Devon, Hoss and I to come up to sing with her. Devon and Hoss needed no introduction to the people in the room, but when I stepped up she introduced me as one of her favorite new friends and quickly explained to the crowd that I was in talks with Atlantic Records.
And then she started playing songs that I had forgotten that I knew. All of them had been written by her. Devon, Hoss and I sang harmonies and backups.
I even got to sing a lead verse on ‘Groovy Kind of Love.’

















7 Comments
Who don’t you know? I am sure that list would be shorter. You have lead a pretty exciting life. Maybe I should be more star struck when I hang out with ya. Because I hardly think my selling Robin of Batman and Robin fame hardly counts as a celebrity interaction.
Damn - your life has been WAYYYYYY cooler than mine. I can’t even offer to sleep with you for a slice of it, so I’m stumped.
Daniel - I don’t know. That list is pretty long. No reason to be star struck. My life is pretty boring these days.
Miss Britt - You can offer, a girl still likes to be noticed!
So I’ve been reading your recording contract series with a lot of interest. I’ve been in the industry for a while now and it sounds like you had a production deal. While it sounds bad (because they usually are for the artists) It can be considered standard. Most artists sign them with the hopes of renegotiating upon success. For Example, Toni Braxton, TLC etc… They all had shitty production deals at first. I don’t know if you should be bagging on delicious (who would name their child that I don’t know) Why wouldn’t he want to make money off a group that he founded. Since he only co-produced he probably had to split it with other producers as well. It sounds like you are unsure of your decision to join the group. Just remember the music industry is full of slimball people, even the ones who smile in your face, like the guy at your record company who was willing to steal you. I’m curious though, what happened after he told you to wait 48 hours?
The Record Contract is that which It sounds like you are unsure of your decision to join the group. Just remember the music industry is full of slimball people,The only thing you probably know about is this:click on this link
Hey Paul, I cannot believe I stumbled onto your website! I was “Googling” myself to see if there was anything new about me on there. Since I have retired I don’t get much limelite stuff any more. I still talk to Hoss, once in a while. Yes, he is still alive but not the same person he was back in the day. I would love to hear from you. I wish you all the best there is in life! Love, Mama
Mama! - I have so many wonderful memories of you. I hope Florida is treating you well. I’ll shine all the limelights on you that you could want!
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[...] The Record Contract; Part XVII: Waiting Game After the mini-concert at Toni Wine’s birthday party, I was standing near the bar when an older gentleman approached me. [...]